Today we’ve had a meeting talking about various improvements for the game as a whole. One such thing we’ve been meaning to add for a while is a proper loading screen before the game starts up: on some computers the game can take a little bit to start (we’re working on making this quicker as well!) and so it’s really nice to be able to get confirmation that you actually pressed the button in the first place.

As such, we’ve decided to add a little splash screen followed by the customary Pixel Ferrets logo (as well as our sound design teams logos) before a (hopefully) short load screen will appear until the game has properly loaded. Adding the splash picture and the logos should give the game most of the time it needs to start up everything it needs, so adding those will likely come with the added benefit of the game feeling like it’s starting up a bit quicker than it actually does as well (haha..)

We’ve also made the decision to upgrade some more menus: you already saw our work on the Trophies menu redesign last week, and we’ll continue to work on giving most of the in-game menus an upgraded look that fits better with the game’s overall aesthetic as well as work better overall – some just haven’t been streamlined enough, or have issues with the game’s various translations. More on that later!

Another thing we’ve been discussing but won’t be added until later on, if at all, is lobby systems, where you can host your game in a public listing, allowing strangers to join you from the game menu itself. While this is a neat feature for players who don’t have friends playing the game and who do not want to join a community in finding players in a similar ping distance, we feel like people are managing just fine for now and that adding it would be better left to after release, if it’s even needed then. We’ll see!

Now, let’s start work on some of the smaller menu improvements. In this post, I’ll mainly be looking at adding some flavour to the box on the left, where you can read a description of the part of the menu you’re currently in. With this new addition, you’ll get a more proper headline than the one in use right now, which is just more of the same boring white text.

We’re also adding a reward box to the trophies menu on the info box to the right, where you can easily see what you’ll get for finishing up the achievement in question. While this wasn’t totally needed, we felt it’s nice for people to be able to know the reward, so they can decide if they wanna pursue a specific trophy over the rest.

In that same box, we’re also adding another proper headline – although we’re not entirely sure it’ll look in this exact way yet, since it takes up a lot of space and we might need all we can get in order to fit the lengthier descriptions.

As a bonus, while I’m in the world of interface, here’s a little GIF featuring a battle indicator used for Bishop’s boss battle:

Okay, so time for us to take a look at that loading screen I mentioned previously! First of all, here we have the splash art that will appear before anything else. This won’t have the ‘windowed’ look, but will simply appear for a short while before the actual game window pops up:

Once the game window starts, you’ll be greeted with the familiar Pixel Ferrets logo, as mentioned before:

Followed by the three teams that have helped us bring the world of Grindea together in terms of sound effects and music:

Once that is out of the way, you’ll be greeted with the actual load screen. It’ll start like this, completely covered in clouds, but once the game finishes loading, the clouds will part ways and the pre-game menu will be revealed. To the left in this load screen, we’ll also have a random backer’s names show up as thanks for helping us get this far:

A gif showing how it all plays out once the actual game window starts can be seen here (although my computer already properly loaded the game, so there’s not much of a load screen going on here haha):

Now, some of these things are a bit placeholder-y, one of them being the fonts and overall design of the texts used. For example, I’m not too fond of the readability in the sound design teams part of the load screen, with it being on two rows and a bit hard to read overall:

So I made a couple suggestions making it look a bit more streamlined and less in your face:

For the cloudy load screen part, there was a bit of a font issue as well. Here’s what it looked like before:

And here are some suggested improvements, with this first one being my personal favourite (although we haven’t made any final decisions regarding which one we’ll pick yet):

Finally, with this new load screen appearing, I felt like the old in-game load screen between areas look a bit lame (it was one of the very first things we added to the game, after all!) so I made a little mockup of what a new version could look like, tying back to the pre-game load screen we’re implementing right now:

The text on the left will be replaced by the usual gameplay tips, I just didn’t have them on hand so I picked a random rat fact for now! The idea is that the clouds will be floating slowly across the sky, with possibly the occasional bird flying across – although hopefully the game won’t load for so long between areas that you’ll have to spend any longer amounts of time looking at it haha!

Meanwhile, Fred is working on adding and animating some new NPCs, namely the priest and apprentice that will appear in the church in Port Monnaie, as well as giving Bokus the ability to read and turn the pages of his book:

Now, as I mentioned last week we’re doing a bit of an archery challenge in Arcade Mode, and as such I was tasked with making a mobile version of the archery challenge!

For now, this style will appear on each of the floors, but I have a crazy idea of making a special background and use different bush cutouts for each floor, if I manage to find the spare time for it!

Next up, some additions and changes to the transmutation GUI! For starters, the mechanic needed a proper ‘shop title’ splash, and a button for activating the transmutation service to begin with, as seen below:

We also decided to make a few changes to the UI itself, adding a couple of maracas, removing the title bar (it seemed unnecessary), and changing the colours of the gems in the interface to better represent the rest of the UI colours here.

And now, some mixed stuff, starting with some improvements on the readability of the shop title splash I just showed:

An open door in the HQ leading into said transmutation room:

And some of our progress on a different part of the game, namely the Bishop’s battle! Here you can see some more of our iteration process, ranging from climbing the pillar itself to how the encounter with Bishop himself evolved from the placeholder version to what’s currently in the game! If you look closely, you’ll see that the background has changed slightly from the previous finished version I showed some time back: we’ve moved the bushes slightly out of the way to make sure they don’t distract from the battle:

 

 

 

Next, back to story mode, as we’ve been working on a redesign for the trophies menu! As mentioned before, we’re gonna change the trophies themselves around a bit as well, and in doing so we’ll upgrade the whole look of this part of the menu to better match the other newer menus, basically by adding more and better graphics:

Finally we’re looking at a bunch of effects he’s been working on for the card cave, shown here as videos!

The first video shows our very first iteration of how the cavities in the wall light up depending on how many cards you’ve collected. The second video show what happens once you’ve collected all of the cards, revealing a secret catalyst, and in the third video we have adjusted the colour of the flames and added some bonus effects to when the cards merge together into the catalyst:

We’ve long been talking about revamping the challenges a bit, removing the long and slow paced ones and adding more quick and quirky challenges that you complete quickly, all with the intention of making them feel a bit more action packed. Now that we’re nearing completion of the upcoming story mode patch, it’s time to take a look at Arcade Mode, including these new challenge types!

To start off with, there will be two types of challenge rooms now – one where you’ll just solve strange challenges without risking any damage, and one for all the more dangerous challenges where you might accidentally take a hit – such as the kill in order challenge already implemented. Other ideas for these types of challenges include mini boss battles, kill quickly challenges, or take no damage challenges. Of course, due to the more dangerous nature of these challenges, it’ll be properly marked on the map so you know you’re risking your health if you enter – and also the reward will obviously be greater than in the ordinary challenge rooms!

For the regular challenge rooms meanwhile, we’re probably removing the bigger chicken challenges as well as fishing (but don’t quote me on that just yet). Some new ideas we have include:

An archery challenge, where you’ll spawn into a “fake”/prop version of Robin’s archery challenge from story mode, and you’ll have to hit enough targets or get a minimum amount of points.

A music challenge where you’ll have to mimic the order in which the musical faes from story mode play a song on a set of bells of your own.

And an animal taming challenge, where you’ll have to successfully tame a pet to get the reward!

…and we’re currently in the process of designing more! Do you have any cool challenge ideas you’d like to see in Arcade Mode? Let us know in the comments :)

Now, back to story mode for a little bit, as I make a bunch of adjustments to the Card Room in Mount Bloom, moving things around a bit and making more subtle frames for each of the cards:

In the end, we opted for an even more subtle frame (but don’t worry, it should look fancy enough once you’ve found some cards):

Now, back to Arcade Mode and its floating isle final room! In this next part I make a proper stand for the chest you’ll get for reaching this far:

And finally, the other floating isles in the distance:

Meanwhile, Fred’s been hard at work finishing up all of the animation sketches for Bishop and a couple new ones (including the one below where he brushes off some dust after you’ve successfully defeated him):

He’s also been working on a bunch of light effects for the Mount Bloom card room which we hope to show you within the upcoming couple weeks! Stay tuned for that… :)

New week, new improvements! We wanted to make the Bishop boss portrait look a bit more creepy, so I did a bit of an paintover to adjust just that:

We’ve also made some additions around the card room, adding frames for each card to the wall, as well a a proper entrance (bye bye dragon floor and puzzle stuff):

With us finally deciding the visuals for the floating isle that will be the final Arcade Mode room, it was high time to add that and Arcadia itself to the world map (proper layout of the isles yet to be decided):

And speaking of the floating isle in question, I’ve started working on that as well! Here’s as far as I’ve gotten as of yet, more work to come:

Finally, Fred makes some progress with cleaning up the Bishop’s animations (have a little sneak peek), as well as adding some light effects to the cards in the card cave, which will illustrate how many cards you’ve collected thus far:

A new week comes along with a new room in the HQ! This room is where the Silver Point to Talent Orb transmuter will hang out with his apprentice Bokus:

Next, it’s time to start working on Bishop’s boss portrait, here divided into two parts, starting off with the first Bishop:

After that, we swap him around and add a different weapon, after which we add the third Bishop, the scary guy with the scythe:

Back to the new HQ room, we had some talks about it and decided to make it smaller and a bit more messy, adding a pile of books for Bokus to sit on as well:

Fred, meanwhile, has continued work on Bishop, and so here we have him giving you a catalyst in a rather interesting new way:

For the eight floor, we wanted to pull back a bit from too much intense fighting, and instead focusing on some other aspects of Dragonbone Dunes!

So far, we’ve come up with two rooms here: first, you’ll begin in a desert area with an exit to the north, blocked by a locked door. Next to it you’ll find an archaeologist who will give you a map to find the key: only it turns out there are a ton of similar looking scenes around the area! Your goal is to find the small detail pointing you to the right bush (or whatever) by which the key has been hidden.

Second, we wanted to make use of the math puzzle mechanic where you also summon enemies! For this puzzle, we’re skipping the math bits and adding enemy tiles from across the entire world of Grindea for a real build-your-own-encounter path :)

We’d like a third room as well, either before or after the puzzle room, but we haven’t been able to agree on what exactly is to happen in it. One idea was to make a similar “story oriented” block puzzle as in the ruins of Dragonbone Dunes, only this one featuring characters from the game, or the artefacts, or something along those lines, but neither of us were completely sold on the idea.

What sort of third room would you guys like to see? Feel free to share in the comments! :)

Next up, it’s time for me to start working on the background for the Bishop’s battle, seeing as we’re about to finish it up! In this first part, I’m working on the basics of the map, saving the spikes for later:

….and later being now, as it happens! The continuation of the Bishop battle background, this time focusing on a bunch of spikes to make the area a bit more menacing:

Once all of that was completed, I had a bunch of new stuff added on my to do-list, including a mockup for the interface of the silver point to talent orb mechanic, a basic sketch of Bishop’s boss portrait, a scared expression for the Mandarine character, and the ghost house of Pumpkin Woods with an open door:

In Fred’s deparment, meanwhile, we take a look at some more Bishop animations, as well as Bokus, the apprentice of the Silver Point to Talent Orb transmuter!

The next floor we’ve been tackling has been the Tai Ming floor, which is all about returning to the past (unsurprisingly…) :)

You’ll enter into a large open space area, looking much like the ruined present version of Tai Ming, but smaller. A statue of ancient priestess Tessen in her boss form blocks the path leading to the next floor, although this version is edited to have slots for three emblems (oh dear).

You’ll travel back in time using a time rift, to a version of the map where any buildings are whole and it’s a nice village-y feel. There are NPCs from Tai Ming walking around this area, and talking to three of them will trigger you to travel to the present day where you’ll have to do a challenge of some sorts (battling various sets of enemies, most likely), after which the ghost of the NPC you talked to will appear and hand you their emblem.

Once you have collected all three emblems you can return to the present day version of the floor hand and insert them into the statue, after which it’ll come alive for an empowered version of the Priestess battle!

Now, just two floors left…. :)

Remember the skill point to talent orb transmuter from last week? Here’s his apprentice, a young boy called Bokus! He’ll hand around with his master in the HQ once they’ve been added to the game properly:

Next up, we’ve continued to work on sketches for what we’d like that final Arcade Mode room to look like. We’ve moved away from the idea of the church like structure, as that would imply you’ll be able to go inside it – which you won’t – but settled for having the final room set among the heavens, since you’ve, after all, climbed the way up there :)

Here’s a bunch of new designs for the portal that will take you back to Arcadia or on to more adventures, depending on your power level:

Our favourite this far is the first one (although technically, it was the last one I made) :) Our idea is that the gate will either be dark like in the sketch, or empty (as in, you’ll see the background on the other end), until you’ve opened the chest, after which a portal will appear within the gate, looking slightly different depending on whether it’s leading back to Arcadia or onwards :)

We’ve also been discussing the final tower interior and what it should look like, and as such I’ve been playing around with a bunch more sketches, where the amount of mirror material varies from barely any to full on “everything’s-a-mirror” mode.

Right now we’re kind of leaning more towards the ’emptier’ version, meaning little to no mirror decorations. What do you guys think? One of the reasons we prefer that is because we won’t be able to use a proper reflection for the character on mirrors that aren’t on the floor, which means the mirror effect won’t be too clear to begin with. Also, having a more ‘boring’ look means that once you break the tower’s spell and it reverts back to it’s normal version it should be a bigger difference compared to the magically transformed room you were just in.

Meanwhile, Fred’s been working on a bunch of Bishop animations, but what we’re going to show today is something a bit more exciting(?), the sprite for Maracas, the guy who will transform your silver point into talent orbs, or the other way around! Behold:

For the sixth final dungeon floor, we’re doing a mashup of the festival and Mount Bloom, which means you’ll be going to a festival in the mountains! And who better to host such an event than a score of Cavelings…. :)

Our idea is that you’ll be in a rather open cave system where you’ll trick phase between various stations, each having a little mini game challenge of its own. We haven’t yet decided whether you’ll need to do them in a specific order or if you can trick phase your way around the area freely.

Either way, our current idea is that it’ll be the same mini games as you had in the Evergrind festival after you finished the Temple of Seasons, only with a caveling twist for each event. So for instance, you might not win the fishing contest based on the best or most fishes, and the cavelings might use some other cheating tactics to make sure they win themselves in the running challenge, and so on. I won’t go into too much detail here but you get the idea – basically you’ll most likely end up getting swindled one way or another – what else to expect from the cavelings, huh?

This week we’ll be discussing the Tai Ming floor, and after that there’s only two more floors to go! Drawing ever closer to the end :)

So, another thing we’ve been working on recently has been a bunch of new gauntlets for the arena! Now there’s a total of four of them, each a bit more difficult than the last.

First we have the good old classic one featuring Pillar Mountains, Evergrind City and Pumpkin Wood enemies. The second one has enemies from Flying Fortress and Seasonne, as well as a guest appearanec from Phase Man and a couple puzzle block enemies. The third has enemies from the Temple of Seasons and Mount Bloom, and also features the Summer and Autumn Elder Fae and Black Ferrets! Finally there’s the final Gauntlet, which has enemies from across the entire world, as well as some giant thorn worms, Vilya AND Marino! Quite intense.

After having made these, we’ve of course spent a bunch of time testing them. I also decided to remake the icon for the original gauntlet (which was a single slime against a yellow background) now that I had to make icons for the new challenges anyway:

Meanwhile, the Bishop battle is turning more and more from a prototype into an actual badass battle!

We’ve added a bunch of attacks and cleaned up the graphics on some. After some initial testing of this version of the battle, I’d like to be bold enough to say it’s one of my favourite boss battles in the game this far:

Hopefully you guys will like it as well! It’s pretty intense, let me tell you that much! :D

Next up we have a new NPC we’ve been talking about adding for a long time! This guy will be ‘unlocked’ by finishing a quest in the Collector’s HQ, and will grant you the ability to turn your silver skillpoints into talent orbs (and the other way around!)

Of course, as such he needed a portrait:

Meanwhile, Fred’s been continuing on with refining the Bishop animations, making sure the battle against him looks as good as possible! Here’s some more of his animations:

This week we’ve been talking about the fifth floor on your journey to the top of the tower! This floor will be all about the Temple of Seasons, and will begin in a wintery area in the woods, where you’ll walk through a corridor of trees that part and walk off to the sides to reveal a path before you, all while fae dart back and forth (just to set the tone a bit). This path will eventually lead you to the Temple of Seasons entrance, where the actual floor will begin.

You’ll enter a Temple of Seasons room that’s currently winter, but thankfully, Naniva appears and helps you by turning the room into spring, allowing you to enter one of three doors. This door leads to a fight or puzzle room yet to be decided, where you end up rescuing Autumn. Once you return to the first room, she will then turn it into autumn, revealing a second door leading to another fight/puzzle room where your goal is to rescue Summer. If you succeed in this and return to the first room he will turn the room into its summer version, allowing you to pass through the final door.

In this final room, you’ll battle an enraged version of the Hydra, summoned by the mirror guardian of the tower. This version of the Hydra has one more head, representing spring, thus you’ll have to battle the four seasons all at once! We haven’t decided exactly what the spring head will do yet, but one suggestion is that it’ll cause loads of bushes to grow in the area, serving either as an obstacle for you or something that will deal damage as well (by the addition of thorns). Another suggestion for a super move the hydra can make here is to turn the room into all seasons at once, using all of their powers for a short while… >:)

As for the puzzle/battle rooms, we haven’t made any fixed plans, but we’re playing around with the idea of having a special enemy in the shape of a rainbow orb, that will appear and turn the room into all seasons – only once you defeat the orb it’ll go back to normal, so until you do the rest of the enemies will be in their elite versions. We don’t want these rooms to be too complex, seeing as there’s still a ton of rooms to go through, but I think so far we have a good balance. Let’s see where the next floors take us :)

In Arcade Mode, we need a room you’ll get to once you finish the Ghost Ship, where you’ll get some sort of reward – and, if you’re powerful enough, you’ll get the chance to transcend into one final floor where an epic final boss battle awaits!

So, I’ve been making a couple of suggestions for what this room could look like, and this first one is inspired by what I’d like the final floor to look like – otherworldly, up in the sky, on floating isles with other floating isles in the distance having statues or parts of statues of Grindea on them:

The second idea is a throwback to Bishop’s realm where you’ll be battling him in Story Mode, a grim and dark realm.. In this version, the doors of the temple will open either to an intense glowing light or straight up to the sky, if you should have enough power to get there… :)

While I was sketching that room, I also went ahead and made some suggestions for the average room design in case we’d end up making regular rooms in that final floor you’ll only get to with the right power level, looking something like this:

We’ve also been talking a lot about what the final tower dungeon would look like for those that aren’t under the mirror’s influence, so I’ve been playing around with ideas for that as well. Here’s one such suggestion, featuring a lot of mirrors on an otherwise gray tower setting:

There’s a big possibility we’ll redesign or at least change the colours of the tower exterior now that we have a better idea of what the inside involves, but we’ll figure that out once we’ve completely decided on a design for the interior :)

Now, one of the many things Teddy has been working on recently has been adding a bunch of smaller cutscenes and fixes for the various new quests. One such thing is having Bishop appear during the Ghost Ship quest for a short while, and to make his appearance look as good as possible we went through a bunch of iterations. Here you can see our progress, going from pretty crude, to working our way to a more polished version:

Most things we implement go through a bunch of iterations like these, which goes to show implementing the first idea you have just the way you imagine it isn’t always the best bet :)

Meanwhile, Fred has been working on not only Bishop but Grindea herself as well:

The next thing we’ve been discussing and designing for the final dungeon is the Flying Fortress floor. In the beginning we wanted this to be quite phase shift heavy, but as we though more about it we felt the essence of Flying Fortress is more about bullet hells, so we started leaning more towards that. However, we’ve had a ton a random ideas, among others a phase shift puzzle where you need to collect items within a certain time and a bullet hell with guardians that block parts of the room with their laser beams…

In the end however, we settled for three rooms (for now, this might change), first one of those corridor where a number of orbs pass through and you have to run left and right so you pass through the orbs in the slot where one of the orbs is missing – I’m not great at explaining this in words, but you’ve already passed through such a corridor in Flying Fortress already, and this one will be pretty much the same – although we have some ideas for beams and such to make it a bit more difficult and high paced.

The second room will have a number of small platforms, 4 or more, which will get hit by a ton of missiles. The goal in this room is to phase shift to the one platform that won’t get hit by missiles and as such avoid damage. Once the timer runs out you’ll be able to proceed to the final room…

…which is all about bosses, namely Phase man – and not only one, but two of them(!), ending with a little burst of Gun-D4m. We’re pretty excited about this combo and hope you will be too!

For Seasonne, we all felt like the core of the area is the Toy Factory, but we also wanted a little dash of the regular snow area, and an appearance of Marino, since he’s a pretty big character and having Amalet stolen from you after Flying Fortress is a pretty important part of the game, after all.

As such, you’ll begin this floor by appearing in a small Seasonne-esque area with the usual Seasonne enemies minding their own business. At the end of the area is the Toy Factory building, which you enter, and find yourself in a room with a locked door, a blocked path and a chest. In the chest is a key for the locked door, but before you have a chance to unlock it Marino appears and steals it from you, dashing through the blocked path, breaking the things that blocked your path before.

The next room will be one of two challenge rooms, but we haven’t yet decided which one of these it’ll be! In one, you think you’ll have to solve a block puzzle, only for each and every block and piece of it to come alive so you have to defeat it literally by force. The second would be a lot more like the room where you battle a ton of gift boxes, only with more kinds of gift boxes with new abilities!

After that, you’ll end up in a room with a conveyor belt where you’ll chase Marino for a bit before ending up in a room where you’ll battle him along with having to dodge falling bombs and trains, much like in the later rooms of the Toy Factory!

Next, time for some mixed stuff! Your mother’s grave in Startington, some new items made for an additional part of the ghost remembrance quest in the Ghost Ship, as well as an expression for the newly added ghost you’ll find there soon:

And here’s some more new stuff, featuring bigger versions of the catalysts, new backgrounds for the temple of seasons character and enemy codex, a new set of stairs in the Port Monnaie church, and a slight edit of the Startington grave:

Meanwhile, Fred’s been working on more Bishop stuff and some new player animations, one which can be seen here: