First up this week, let’s take a look at the healing phase of Zhamla’s boss battle!

Here, you need to defeat the bracelet first, so it can’t keep on healing Zhamla indefinitely. Bag and Braazlet will also have some lines mid-battle in speech bubble form, and in order to make this look its best I made some new graphics to go with the bubbles. I also took the opportunity to update the speech bubbles used by other artefacts earlier in the game (= Shiidu and Trunk).

Here’s the result, with a sample bubble and a prototype video showcasing them:

The summoning of Zhamla’s version of Frosty Friend (Frosty.. Foe? Fiend?) is also coming together more and more. Here’s a prototype of the summoning of this summon:



Fred has also been working on various sketches of another of Zhamla’s summons, a bigger and scarier version of Summon Plant! Let’s take a look at that:


Which one is your favourite? Ours is in the green circle with the checkbox!

This week Teddy and Fred made a plan about doing a May crunch, in which they aim to make the Zhamla battle fully playable except for some final polish.

Teddy has since prototyped the transition from Dad’s battle Arena to Zhamla’s (exploded!) battle arena, inserted a healing sequence where the player needs to defeat the bracelet before doing damage to Zhamla himself, and also developed prototypes for the summon phase start and summon phase end.

We’ve also received some of the very last songs that will be added to the game, which definitely feels bittersweet.

Here’s a little sneak peek on some more Zhamla boss animations courtesy of Fred this week:

This week I’ve been working on some new art for Secrets of Grindea once more!

First up, two new expressions for Zhamla:

I also edited to floor, removing the golden bars to make the battle area look more clean – before and after below:

There’s also an extended background for the final scene in the true ending, where the camera will be able to scroll up past the Collector’s HQ and into the skies above for the credits.

Despite only part of the roof showing in the game, I (thankfully) had been smart enough to make the entire thing when I first made the HQ building, meaning a lot less work compared to having to puzzle together the rooftop as well.

Although this scene is much larger than what will actually be shown in the game engine (the camera is almost half the size of the background above), I still wanted to make a version that show the entire thing, flowers and all. Perhaps we’ll at least be able to use it in the production book?

For the actual game engine, we’ll use this smaller version:

So nice to be able to make some backgrounds again! Definitely looking forward to the next project, where I’ll be able to make a ton more 🙂

I’ve also made some new items: some paw prints for the housing system, an accessory and a new hat!

All of these were made in collaboration with our backers – thank you so much for supporting the game! ❤️

There’s still a few small things to add before I’ve made my final contribution to the game, but either way, it feels so cool to have gotten this far. Soon 1.0! 🙂

This week our main focus has been the final cutscenes for the true ending! It’s pretty incredible to finally see the first iterations of the very very very last scenes of the game. There’s still a bunch of polish and animations needed for them to be complete, but the base is all there.

Here’s an early sketch of one of the final scene designs I’ll be making a proper background for as well:

Pretty exciting, huh? Stay tuned! :)

A while back we had supporter tiers where you got to design an item or a quest for Secrets of Grindea as a reward. Now, with the game nearing release, I’ve been going through our lists of these purchases, and the emails our backers sent with instructions to make sure we’ve gotten everything right.

For the most part the items we’ve received designs for have already been put into the game, but there’s a couple we’ve yet to finish. Unfortunately, quite a few haven’t gotten back to us at all yet, meaning there’s a whole bunch of items yet to be designed! While it’s always possible to add items after the game is released, I’d very much like to include as many as possible when the gate reaches 1.0.

To that end, we’ve just sent out another reminder that it’s time to get back to us with your requests. If you know you’ve backed one of the tiers where item design was a reward – please check your mail!

Honestly, I have to say that overall it’s been great collaborating with our supporters to make their ideas a reality. I don’t think it’s too common for game developers to have the opportunity to work so “hands on” with their audience, and we’ve certainly enjoyed the chance to involve you guys in the creative process. We hope that the designs created by our supporters will add to the richness of the game and it’s definitely gonna be interesting to see if anyone can guess which items are collaborations with backers and which ones are not!

As for the actual production of the game, this week’s focus has mainly been the cutscene where the final boss dies. We’ve gone through a bunch of iterations in terms of dialogue and timings, and we’re getting close to being satisfied with the whole thing.

We’ve also added some new effects and NPC animations for the final cutscenes:

This week it’s back to focusing on finishing up that final boss fight. As you all know by now, the true final boss is none other than Zhamla, so of course he needs a few more animations to wrap things up!

We’ve also spent this week fixing bugs, working on the “battle won” cutscene for after the fight and doing the foundation work for a small post-credit scene for those that manage to beat the game and get the true ending…. :)

I’ve also completed most of the pages for the production book! I’m going to wait until we have finished the game properly before I write the rest, in order to add some comments on how things went post-release.

In the meantime, I’ll be focusing my time on the visual novel and sketching ideas for possible upcoming projects once this release is all done. Pretty surreal to start to think about what comes next after all this time!

This week we continue on with the very final parts of the game! Certain characters have gotten some new animations, and the credits are in the game (though we’ll keep adding Snowbacca tier names until we close the tier for purchase):

We’ve also gone through and selected a whole bunch of sound effects for the parts that still lack sounds! We’re going to need some more after this (specifically for the last two bosses), but we’re well on our way of having sound effects for the entire game now.

In terms of what remains now, we’re looking at:

* Finishing up the final boss fight
* True Ending, meaning a few more cutscenes
* The post-end state of the world, showing how things have changed after the final battle
* Bug fixing galore!

In other words, not much remaining, but also a bunch of things that are pretty much impossible to guess how long it’ll take (specifically the bug fixes). Let’s cross our fingers things go smoothly from here on! :D

This week’s focus has been all about the smaller details that make the cutscenes right on point. Fires blowing out, candles falling, cracks appearing – all of those smaller things that individually may not seem like a lot but together make the difference between a cutscene that looks alright and one that looks great:

We’ve also started working on the credits (gosh, I can’t believe we’re actually at that point), how and when they will appear, what they should look like and so on. Though we’re only three people, and have had the help of just three more (our awsome music & sound designers), there’s a lot of names to include from those of you who supported us by buying the Snowbacca Tier. (Again, thank you so much for making it possible for us to make this game <3)

I’m not sure when, but in order to get the credits in order we are going to close that tier soon, so if you’re interested in getting your name in there, now’s the time :)

Before I write the rest of the post I want to take a moment to thank all of you who commented on or reached out about last week’s recap. I can’t even begin to describe how much it means to hear (well… read!) your words of encouragement! I know I speak for all three of us when I say it truly, truly warms our hearts, and we’ll continue doing our best to finish up this journey in a way that will hopefully satisfy you all <3

So, on to the actual update! This week we’ve more or less finished two of the most important cutscenes: the transition scene where the game either goes to “bad”/default ending or continues on the the final boss fight for the true ending, as well as the epilogue cutscene that’s part of the default end.

Fred has also started working on a little easter egg in relation to the final boss fight against Zhamla. It will be very interesting to see how many of you figure out how to “unlock” it! Don’t worry – it’s nothing big that will take forever to make, just a little something for those who have paid attention to certain storylines… ;)

For obvious reasons we’re not going to show any of the actual footage from the cutscenes, but here’s a sneak peek of some related animations:

As for the production book, I’ve finished every written section now except one (the music and sound effect part – still a bit unsure of how to approach that). There will be a bunch of shorter texts & info drops to go along with the images and sketches I’ll add for each area as well, which is something I’ll work on this week.

Another week, and – you guessed it – more cutscene progress! As game developers, creating these final cutscenes pretty much feels like one of the most crucial parts of the whole development process. These scenes can literally make or break the player’s overall experience, so it’s important to get them right. Recently, we’ve been especifically focused on the scene where the final, final boss, Zhamla, spawns.

To approach this scene, we first created a very basic “whitebox” cutscene (meaning we used mostly sample graphics) to establish the general flow and timing. Teddy then recorded and showed this initial version to me and Fred, who came with feedback regarding the pacing, dialogue and how certain things were presented. Yes, I’m being vague here, that is the problem with trying to keep these final things ‘secret’ enough for there to be any sort of surprise when you finally get to play through them. Anyway, based on the feedback, Teddy then made the proper edits as well as adding new animations and effects as they get done.

One of the key aspects of creating any great cutscene (or pretty much any great aspect of a game at all, in my opinion) is iteration. We recognize that the initial cutscene is just the starting point, knowing there will be room for improvement as we move forward, continually seeking feedback and making changes to the scene to enhance its impact and make it as memorable as possible. This means we go through these cutscenes a lot, and while it may seem like we’re taking forever working on the same scenes, a lot of progress is being made.

Here are some of the new animations Fred’s been making for this scene:

As for me, I’ve continued working on the production book.

I’ve written drafts for most of the longer sections now, detailing the economy side of a project like this as well as listing and explaining the various things that make it difficult to estimate how long any project takes to finish, especially when it’s made by a very small team. Both topics I think are highly relevant to anyone interested in becoming a indie game developer themselves, and hopefully helps shed some light on how developing a game of this scope may take longer than you may first think.

Looking back, we were very naive about the scope and how long it would take to finish this game in those early days, but now that we’re nearly there, I can definitely say the journey has been worth it. I do wish there were realistic expectations on what you can expect any game dev to accomplish within a set timeframe, though. Sure, there are geniuses out there that can complete wonderful games in no time at all, but for most people, that’s not gonna be the case. It certainly wasn’t for us, as you can tell from us still working on this even after all this time.

It’s easy for people with no insight into a game’s development process to criticise and leave angry comments on how you’re not doing a good enough job. I wish it wasn’t needed, but I’m considering adding a section on how to stay sane when dealing with people telling you how awful you are for not finishing a game they want fast enough. If I do, I’ll probably make it publicy available to help others in this situation. We do have a lot of wonderful fans that have been nothing but supportive, but I’d be lying if I said the barrage of negativity we face every week didn’t take its toll. Please remember that there are actual people reading what you write on the other side of that screen. Actual people with feelings that will get hurt, no matter how much you think you’re just trolling for fun or trying to put down people who deserve it.

For those of you that have been patient with us throughout this awfully long process, thank you from the bottom of our hearts. It means the world, and without you we’d never have gotten this far.