With the third Tai Ming zone up and running, and the base of the dungeon essentially completed, it’s only natural to have a meeting to discuss the feedback we’ve gotten!

Before uploading the patch our inhouse testers had given us two point of views on the third zone: one said it was impossibly hard, the other said it’s too easy. The general consensus after uploading the patch seem to be it’s somewhere in between those two (yay), but we’ll keep monitoring your comments and make adjustments to the difficulty accordingly.

Aside from the usual bunch of bugs and a couple hotfixes, things seems to be sailing pretty smoothly and now all that remains is cleaning up the placeholders, await sound effects and polish things up for the stable release, which is our next goal!

So, for the next stable release, we’ll basically clean up Tai Ming to the best of our ability and launch the dungeon when it’s properly completed. We’ll also be adding a couple of things to the dungeon before patching as well, namely:

* A couple more NPCs in Tai Ming’s first zone
* A secret chest…somewhere I won’t say
* New shop items

We’ll also make a slight change to the Mimic battle so that the Mimic spits out the sword if you solve the puzzle mid-fight. It felt a bit unsatisfying to push the block onto it only to be rewarded with nothing until the battle’s done, so that had to be fixed!

Now, as for what happens after Tai Ming… Previously we had an idea that we’d do a vote for what you people would like to see added, but after discussing our options today we realized there are so many things we feel need to be added ASAP, that we’ll probably end up doing all of those and only save the super optional stuff for later. More on that later!

Some other things we’ve discussed recently:

What year is it?
Some of you might have asked this question already, with all the time jumps in the dungeon! We’ve had multiple discussions about whether or not to include years, either when you zone or/and added somewhere in your journal.

The obvious argument for is that it would hopefully make it easier to know how much time has passed between certain events. However, there’s also the risk of annoying people who forgot what the previous year was, and now gets another year presented. This happens to me a lot in movies: in the beginning they show the setting and present us with which year it is, and I go “oh okay so we’re in the 1600’s”, and promply forget what the last two numbers where. Then, a while later, there’s a jump and they show another year, also 1600’s, but since I didn’t remember the whole year I have no idea how many years have passed in either direction (is it a flashback?), until I get it based on the context. In those cases the years did nothing but annoy me, since I had to rely on the context to grasp how much time has passed anyway.

It is our hope that we’ve provided the player with enough such context that there isn’t a need to know the exact year. We haven’t completely thrown out the idea though – if it becomes too confusing, we might add them later.

The Desert
After Tai Ming comes the desert, and as such we had another talked and decided that before we update the Stable beta, we’ll add the bare minimum of the first desert map – most likely only the background and something blocking your way from continuing (so no enemies or NPCs or anything like that).

The reason? Those “this area is not in the game yet” notifications. Once we add the first desert map we actually won’t have any of those anymore, and I’m pretty sure you guys are just as annoyed by them as we are! Nothing throws you out of a game as much as a blatant reminder that you’re only playing the beta.

Temple of Seasons Story?
And now for something completely different. Did you know that we, from the beginning, intended to have picture carvings here and there in the Temple of Seasons, telling the story about the player character’s mother Charlotte and how she came to save the fae that one time? Don’t worry, we won’t add that right now, but we did have enough time during this meeting to reiterate that we will add it at some point. Likely after the main story is done.

Spirit World Objects
Finally, we talked a bit about the spirit world and what kind of objects should appear when using the skill. We want certain things to be able to appear in order to create puzzles and challenges – such as a bridge that only exists in the spirit world, and so on. During this discussion we talked about what they should look like graphic wise.

Right now we’re thinking that we should go full on horror style – having the objects be made of bones or dark goo or other creepy things you’d associate with ghosts. We’re still balancing on an edge where we’re not sure if it’s gonna be too creepy or not (the game hasn’t been that scary until that point, even if we begin to see some darker things in Tai Ming), but hopefully it’ll not feel too off in the end.

If you guys have any suggestions for what you’d like to see graphic wise in the spirit world, let us know in the comments! :)

Since we’re currently busy airing out the bugs that have been reported, adding sound effects and basically polishing up the graphics, which isn’t much to show visually in this blog, here’s a sneak peek of the Mount Bloom Arcade Mode floors instead!

To make these floors, we’ll be using a bunch of basic room backgrounds as base, and create variations by decorating them in different way. When creating the bases I make a standard background, add some basic decorations that don’t need colliders (basically floor and wall stuff, such as moss and vines), as well as four exits – one in each direction:

The exits are on their own layer, and beneath is a solid wall, so you can simply apply the number of exits you need for the specific room. Some might only have one door, others might use all four.

I then make a second and sometimes a third variation of the basic decorations, moving moss and wall decorations around so they aren’t all exactly the same:

Next step is adding props that have colliders, which are added using our editor. In order to increase the sense of variation we divide each backgrounds into four parts, and create a minimum of two variations in how the props are placed within each corner.

Once that is done, the game engine will be able to mix and match each corner for the background, creating 16 possible variations per background, if each corner has 2 different layouts:

The basic room shapes are the same, but thanks to different numbers of doors and decoration differences, they feel more different than they are. These are only the first two room types, next I’ll be making a bunch more to increase the sense of variation as you progress through this floor.

With Tai Ming nearing completion, and a revamp of Arcade Mode in general and Arcadia in particular, it’s no wonder a lot of our recent talks have been about exactly what new Arcadia will look like. This meeting we dove in and decided on some more things:

Buying Houses for Arcadia
Basically, Arcadia will start as an area of wilderness! The place where you start will be small, with most of the map being covered with wood and other obstacles. As time progresses you will be able to ask various people for help clearing the area, and in doing so revealing a bunch of signposts indicating what could be build at the spot.

Clicking the sign will trigger a preview of what the building or decoration will look like, and what it will bring to Arcadia. For instance, aside from shops and buildings with gameplay features of various kinds, there will be decorative things that may not give you a new feature per say, but will bring people with quests to town.

Essence & Gold
Essence will be used to buy perks, as well as transmute decorative hats and other gear that carry over to Story Mode. Essence might also become the currency used to buy housing items in the Arcade Mode version of the feature.

Gold, meanwhile, will be used to unlock new buildings and decorations, and pretty much everything else.

Candy & Muffin
Muffin’s house from Seasonne will be available from start, though there will be nobody at home in the beginning. Once you’ve either died a number of time or gotten to a certain highscore, Candy or Muffin will start inhabiting the house.

If you’ve died x times, Muffin will appear and allow you to make Arcade Mode easier by giving you a number of treats (3 maximum, much like perks). Treats might include things such as health orbs healing more or there being no elite enemies. The downside to this is that you will get a much reduced highscore for using these treats.

If you gain x highscore, Candy will appear and allow you to activate certain curses (again 3 maximum, much the same as perks). These curses serve to make the game harder in various ways, such as doubling the amount of elites or removing health orbs altogether. With curses activated you will gain a higher score than during regular runs.

While it might sound tempting to do so, you can’t combine treats and curses: you’ll have to use one or the other.

The Arena
There will be an arena where you can practice boss fights once you’ve reached them through one of your Arcade Mode runs. In the arena you’ll also be able to run the same PvP challenges that will eventually become available in Story Mode, as well. It’s likely you’ll have to pay some gold to practice boss fights, while PvP will be free.

The Aquarium
One of the decorative spots, a house where you’ll see a collection of all the fishes you’ve caught during your Arcade Mode runs (one of each). This place will also attract NPCs with quests!

The Inn
…Will work much like it does now, only with more NPCs and more quests!

—-

And by the time we reached this point of our discussion, the hamburger place we were at were closing so we had to go back home to do regular work. More planning next time, and instead, let’s have some more text previews:

While making these it’s really easy to start coming up with things for previous areas as well, as you remember other bookcases or signs where you’d like to have some kind of text but haven’t added one yet. All in good time though, we want to avoid backtracking too much while we still have quite a long way to go before the main story is done.

All in all there will be 35 optional flavor texts available throughout Tai Ming! Can you find them all? I guess we’ll see… :)

Now it’s time for the final batch of themed housing items for a while now! Tai Ming, bring it on~
You know, you’d think that with Tai Ming being a town and all, there would be plenty of ready made housing objects there, right? Not so. I’m not kidding, I had to remake almost every single item in some way!

Next time we make a town, I’ll make sure to follow the housing guidelines to begin with. Not that I could follow the guidelines before since we didn’t have any… But you know ;)

Anyway! The basic items, not much to say. A very basic batch, with things you’ve likely seen before (although remade in size or with additional versions for Housing):

The surfaces here will have a different height than items in the rest of the housing batches, since people in Tai Ming prefer sitting on the floor rather than chairs!

Compared to the basic batch, the special item one is.. a bit overwhelming: so many items!! There were so many wall decorations I couldn’t even fit them all on one wall, but had to put one on the floor just to show you. There are also a bunch of variations for some of these objects (such as different versions of decorations on top of the crates in the upper right corner) that there was no room to show as well:

I think it’s likely that not all of these will be unlocked as you enter Tai Ming: some of the more generic looking objects will likely become part of the first basic batch, and others will be granted as quest or chest rewards.

And now…. More Mimic boss stuff! This time of his third and giant phase~

We’ve already gone through two prototypes for this version. Here is the first one, where the Mimic pretty much spits out random things all the time. We felt this version was a little too messy in the end, so it was scrapped.

Cue prototype #2:

This version has a more clear pattern: he begins by spitting out a bunch of Pillar Mountains and Evergrind Fields themed enemies, then spits out slime at random intervals while you either beat the enemies or him up. After you’ve damaged him enough he then moves on to Flying Fortress enemies, while spitting out rockets. After dealing even more damage on him, he’ll move on to Temple of Seasons enemies – and so on.

We liked this version a bit more, but we didn’t particularly enjoy how much it felt like you were replaying the game, so we’ll probably do one more prototype where we mix the encounters up a bit more between areas but keep the intervals he spits them out at!

You’d think after finishing a bunch of sprites for housing, you’re all set, right? Nope! Time for step two in housing: making drop appearances/menu miniatures for everything!

Honestly, if there’s one thing I wish I knew how to streamline better it’s finding the right folder for stuff and saving a ton of items as PNG. Maybe there’s a way I haven’t found yet (I have not exactly done much looking).

Regardless, it takes a tooon of time saving items once you’ve finished making them. Not only do you have to check it for flaws (one of my great skills is accidentally leaving empty pixels in objects, trying to catch that before adding items to the folders now), and actually save it with all that entails, in the case of housing you also need to make menu versions since the big ones are much too large to show properly in the interface!

Above you can see a bunch of examples of miniatures, with the bigger versions below. After making this many, we had a talk about how to display Temple of Seasons stuff (since they will be three versions at once), and I had for some reason assumed that meant I should make three versions of everything. Because that would entail a whole lot of extra coding, we decided to either make one version that were all three at once, or simply stick with one of them and put a special icon next to it showing it gets transformed by the seasons.

After trying out the first idea (see above, upper right), we decided to simply stick with one version, in this case the summer!

And the madness continues! This time a bunch of surfaces and beds~

See that stray pixel between the red tablecloth and the left vines? Yeah, that’s exactly the kind of thing I’m trying to avoid. And clearly failed to do so before uploading this image! Oh well, at least it won’t be in the game :D

And now…. Time for some Mimic updates!

To make this guy’s eat-attack look a little more interesting we decided to swap out coins of various colors for a different set of items. The mimic will still eat huge coins (which won’t do anything), but the items that cause various effects will be as follow:

Emblem – Causes shockwaves (not pictured yet)
Chili Pepper – Fire
Hourglass – Slows player character(s)
Box of Bombs – The mimic spews out a bunch of bombs!

Since Fred has a very hectic schedule right now with a ton of animations needed for next update, I stepped in to make temporary objects for him to eat (wip above). These will be upgraded and animated by Fred once he has a few spare minutes:

Here’s a GIF showing how the mimic boss has improved since last time. AGAIN all GIFs in this post run slower than in the actual game. I’m looking for a different program to record GIFs in since FRAPS isn’t working anymore and cutting things in GIFcam is a bother. If anyone has any  suggestions they are very welcome! Anyway!! Instead of simply leaving fire on the ground, he now shoots out balls of flame that cause a fire to burn where they land. We also made an effect for the hourglass slow-down, to make it more clear when you get affected by it:

In the third phase, the mimic will grow even bigger and become static. In order to harm the player, he will spew out a ton of random items and enemies.

In this part of the battle we have two options, and we have not quite decided which one to go for yet – either he’ll send the player far back (the room would then be a bit larger vertically) with some kind of pushing attack, then fill up the room with obstacles and enemies the player needs to get past in order to hit the Mimic again. The second option is to have the Mimic invincible, until he gets exhausted (triggered by you clearing enough waves of enemies/items), at which point he’ll reveal his tongue which you can hit do deal damage.

We’ve also discussed a special attack where the Mimic starts sucking all the items he spewed out towards him, causing damage to the player if you get sucked too close (due to spikes or something similar poking out of the chest), but we haven’t finalized that part yet so I cannot say if it will actually appear in the game.

Finally, let’s end this week with a quick look at the skill you’ll unlock in the fourth dungeon~

So this skill has the codename “the ghost skill” because we haven’t come up with anything better yet. What it does is basically it shows you the spirit world, where things look a bit different.

There are a ton of possibilities for this skill, including having enemies that can damage you in the real world by using real weapons, but you cannot hurt them unless you go into the spirit world. There’s also obstacles you can only pass in the spirit world, or hidden treasures only seen while in it.

With this skill you’ll also be able to talk to ghosts, which might help you on your journey or give you quests?! Who knows, this is just a very early prototype after all.

What do you think? Too dark and scary? We’ll do our best to make sure nothing becomes too creepy, just the right amount!

Hello guys, Vilya here! The first week since the second part of Tai Ming was uploaded to Frontline has now gone past, and we’ve spent eagerly listening to your feedback (and fixing bugs)! Thank you to everyone who left comments and suggestions, we’ll add and improve a bunch of things before we consider this part properly done.

Some of you have already noticed that after finishing the first zone, it’s possible to get stuck, with the time warp portals disappearing. While this isn’t quite working as intended, the truth is that once you’ve finished an area, you’ll only be able to return to it in the present time.

We have a couple of reasons for this, and it wasn’t an easy choice to make. I mean, of course it would have been great if you could always go back to finish any puzzles or secrets you might have missed. On the other hand, we felt like the area would have a bigger impact once you realize that when you’ve seen all there is to the story here, you can’t go back to talk to the people again. They have passed on already and belong only in a distant past which you shouldn’t have had access to in the first place.

We also didn’t want the player to feel frustrated because they can’t go back to, say, the first zone, and simply try to convince Zhamla or Sizou to change their ways once you realize how events in that zone turned Zhamla from a young, optimistic boy into a serious and rather obsessed young man.

We could have just simply not mentioned the fact, or thrown in a line about not changing past events, but again, this way felt like it’d have more of an impact.

Now, obviously you’re not supposed to get stuck anywhere in the present. So how are we gonna solve the fact that there are a ton of blockades that you need time travel to get past?

Cue this guy:

This fellow is a traveling adventurer (with dreams of becoming a Collector, perhaps?) who you’ll meet many times on your journey. Once you’ve finished the first part of Tai Ming, he’ll arrive to move things out of the way and create a passage that you can use as well. Once you’re done with the second zone, he’ll move on and do the same there.

So what about all the treasures you might have missed on your first play through? Worry not, you’ll be able to get them later in the game, one way or another (we have a bunch of ideas), so missing an item in Tai Ming won’t affect your 100% completion if you manage to find it somewhere else later.

After all, hundreds of years have passed since the time when Tai Ming was a bustling town, and it’s not unlikely that once you stop messing around with the time jumps, someone simply moved the items somewhere else.

With this new information, it might be worth going through Tai Ming one more time to see if you missed any secrets, would you say? Head out and collect! The 100% completion awaits you!

Next up, in celebration of having completed my part of Tai Ming’s second zone, I decided to take a quick break from the asian theme and move back to Evergrind City and its surrounding fields!

This map here is in fact the one that can be found north of the farm, in the western Evergrind Fields! It’ll be the key to opening the final dungeon, but until you figure out how to do that it’s just a bunch of resting ruins in the middle of the woods.

For this area, I began with a very simple sketch just to get a feel of the layout. Then I added a bunch of the surrounding props (trees, and the like) with our editor, before creating the new stuff:

Then, it’s on to making the actual ruins:

And finally, adding all the details to bring the place together:

While this map likely won’t be implemented until all three zones of Tai Ming are completed, it’s been on my mind for a long time, and I’m sure the “this way is blocked until we implement temple x” notice has bothered a lot of you guys as well! This way, at least you’ll be able to move around almost everywhere (with the exception of the desert and onwards, which hasn’t been added yet of course) without annoying notices!

And now, time to start working on Zone03. We’ve already begun prototyping most of the area, with the exception of the final two rooms (one which will house the Mimic boss, and one which will feature… something else).

Our very first prototype consists of extremely simple black & white sketches, where I just draw whatever I think would look cool. I mainly freestyle the size of each map, but try to keep in mind certain things like whether there will be battles taking place, or where the camera will pause in cutscenes and such.

Once I’ve sketched whatever I feel is important to size-check or run by the others, I give the sketches to Teddy who adds them to the game engine. He won’t add any colliders or anything at this point, but often he’ll make sure the doors work in cases like this where we need to run through more than one map connected to one another.

Then, me, Teddy and Fred run through the maps in multiplayer, talking about what we think as we go along. Are the rooms big enough? Will there be enough room to fight? Does the camera position well?

Often I’ve come up with ideas for what should happen in the rooms, either before or while I make the sketches, and in this multiplayer test we tend to brainstorm a lot as well. We’ll ask ourselves things like “wouldn’t it be cool if this happened here”, or “wouldn’t it be nice to have a painting of x there”, among other things.

In the case above, I made a design with 2 tables, but as we talked about what the flashback orb will show in this room, we decided it’d be better to have it take place at one long table instead. We talked about how long the table should be, and two of us had to act as indicators so I could take a screenshot and add a table approx. the size the characters show (plus some more decorations):

After going through each of the rooms in a similar way, with us talking about the sketches and me editing them as per what we decide, we’ve got a decent “whitebox” version of the place. There are no final graphics, but since we’re satisfied with the size, it’s possible to start adding colliders as well as prototyping enemy encounters.

Since this zone is only four rooms, two outdoor areas and a boss fight, we certainly hope finishing this place will be faster than zone02. There will be a lot of epic things happening here though, so I guess we’ll have to wait and see how many super difficult animations Fred will have to make before we’re satisfied…. Stay tuned ;)

Another week, and more Puzzle World!

Now, the battle room! As you might guess from the name, this is where a bunch of battles will take place, likely an encounter with several waves (though we haven’t decided on any specifics yet):

For this room, I kind of wanted to add a mascot of some sort. A lot of theme parks use mascots here and there for decoration, and I thought this place shouldn’t be no different. And what better shape than a puzzle piece? Perhaps I should add some more, maybe of different shapes and colors, to other rooms!

The floor is kind of bare in this room, as it’s a fighting room and we don’t want you to run into a bunch of colliders as you battle (cause that’s super annoying). I did add some boxes to the corners though, since I didn’t want the room to look completely empty. Since this place was never really finished, I think it makes sense that boxes with supplies for the continued development of the theme park still remain here and there.

Next room is the monkey challenge room, which has been previewed in a previous post. Here, the player will try to steal back a key from a gang of annoying monkeys, intent on keeping the key to themselves!

As with the fighting room, the key to this room is to keep the floor as clean (from colliders) as possible, since you’ll spend your time in here trying to beat up and chasing enemies back and forth. Since we had a prototype for this room already, I kept the same size as in the test. It worked well enough when we tried it, so no point changing a size that already works!

I did shorten the distance to the exit though: such a long corridor didn’t make a lot of sense, and would – in my opinion – only look visually worse than the shorter distance :)

And now, the final Puzzle World room!! This one is the Path Puzzle room, where you have to move a set of statues around in the past so that they are at the right place in present day…

While a lot of these graphics were already made and reused from previous rooms, I had to do some pretty cool new stuff for this one! For one, this room needed two levels, which meant I had to make a railing of sorts to make it easier to tell the levels apart:

I also had to make that big glass thingy, containing something you need to figure out how to get out of there! And it was a lot of fun: shiny things are the best to make!

Now, as the third zone of Tai Ming – and the final challenge(s) of the dungeon – draws near, we decided it was time to have a meeting to flesh out the final boss of the dungeon: an ancient Mimic!

Pretty much since we started developing Grindea, we’ve known we wanted a boss mimic somewhere in the world, and once we knew the third “temple” would be an ancient town where time travel is the focus, we couldn’t think of a better place for our Mimic!

The time travel aspect of this place helped us come up with one of the key features of this boss battle: it will be divided into three phases, where each phase ends with a time shift, during which the Mimic gains strenght. Basically, you start the battle in the past, and once you’re close to defeating the first, young, version of the mimic, you’ll get sent forward in time, where a bunch of years have passed. The mimic, unaffected by your time jumping, will have grown in size and power over the years, and poses a bigger challenge…

During the first phase, the mimic is little more than a jumpkin – but in the shape of a chest. It will have one or two special attacks, but this is definitely the easiest stage, and should be over pretty quickly.

In the second phase, the mimic has grown to the size of Giga Slime (roughly). The battle will remind you of that boss as well, as the mimic jumps around the battlefield, doing damage with its massive body. It also has a series of special attacks where it spits a ton of coins on the ground in different patterns – which may hurt you as they land – and goes to eat them up straight away, dealing damage to anyone in its path. Sometimes, it will spit out a powerup of some sort as well – and if you fail to destroy it before the Mimic eats it up again, it will gain a powerboost against you. Like Giga Slime, the Mimic will also have an attack resembling the hammer-attack of Giga Slime; basically a regular attack it can pull if you stand too close to it for too long. Only instead of producing a slime hammer, it will use any of the weapons inside of it (or its tongue)!

In the third phase, the boss has grown to a massive size, and is now static. It will attack you using any of its many hatches to send out weapons of various kinds against you. It also has a special attack where it blows you to the opposite end of the screen and sends out a ton of things from its inside! These things might be enemies (from anywhere in the game), barrels, crates, items, money – basically anything you can think of.

This is one ancient mimic, and it’s been stuffed with things over the years!

Since the boss is divided into three different phases, we haven’t given each phase too many attacks. As we start prototyping this battle, it’s possible we’ll add more, but I think this is one of those bosses where the battle might be challenging enough even without 500x different attack patterns! I guess we’ll see – either case I’m very excited to see this in the game.

No game set in a fantasy world is complete without a mimic, right? :)

Hello guys! Tai Ming’s second zone is finally coming together: this week I (Vilya) have finally finished up the last backgrounds (except for the Puzzle Cave, which we’ll talk a bit later in the post)! Aside from a few fixes here and there, the backgrounds are now officially done for this area, and “all” that needs to be added now are a ton of NPCs, and of course, the cutscenes.. :)

Let’s take a look at this week’s main tasks:

I quit making the second zone’s outdoor transition from past to present around the HQ, as we hadn’t decided if the area needed to become bigger to properly house the Giant Thorn-Worm battle. Since we decided to keep things as they are, it was finally time to get a move on and finish things up!

First up is the area around the dam, where you can adjust the water levels of Tai Ming’s second zone. As with all other present versions, it’s time to demolish everything:

Next, the HQ itself, along with the yard in front! At this point it’s actually not 100% finished – I’m gonna break the wall up a bit so you can move through the left side in the next step (and in the future I might break the right corner a bit for visual effect as well:

Finally, the area near the exit to the third zone! The main focus on this part of the job was the doorway to the third zone. In the past version, the door is open: here it needs to be closed, until you’ve gathered 3 emblems that activates the door opening mechanism. So, the emblems of the past needed to be removed, the door lowered, and some kind of ruin added to the whole thing:

In the end, I also had to add a ton of stuff in the editor to serve as colliders: this part of the area will be blocked unless you get here from the right time rift. Right not some of the items aren’t correctly sorted, but they will be once the game engine does its work!

It’s likely I’ll add more stuff here later if we feel like the blockade is too thin, but that will be in a future mixed bag update, in that case :)

Here’s the final result, for now:

Meanwhile, Fred has been busy filling this area with the NPCs living here! Tai Ming has attracted all kinds of people, ranging from collectors, priests, merchants and bar owners! Some might resemble characters from the present: distant relatives, perhaps?

Now that I’m finished with my share of the Tai Ming 2nd zone backgrounds, it’s time to move on to something different: the puzzle cave in the north part of the map! We’ve actually made a very basic sketch of the area, which includes all the rooms and what you’ll face there.

Be aware of spoilers if you look at the map below or it’s explanation, if you prefer to explore the amusement park on your own:

I already mentioned the rooms in a previous post, but now we’ve actually designed the rooms! The sketches above are very messy and basic, but they show in which order the rooms will appear, as well as and approximation of how they’ll look.

Room 1 is an introduction room where you’ll meet the owner of the amusement park and his workers.

Room 2 is the Ancient Statue Puzzle, where you’ll have to use statues get to Room 3, where regular battles will take place.

Room 4 is sponsored by Flying Fortress and features a Phase Shift puzzle (shown here), Room 5 is where the Monkey Madness takes place, and Room 6 is the “Path Puzzle” shown in the same post as the Phase Shift puzzle.

Room 7 is where you’ll find your mysterious treasure, as well as a hopefully fancy view! I both look forward to and dread making this map. Good thing I can make the other 6 first ;)

Next week I’ll start making the above rooms, while Teddy and Fred work on adding more NPCs and cutscenes to the village! In the next post we’ll take a sneak peek at what our plans are for the third zone as well, since we’re drawing ever closer to finishing this second part of the temple. Stay tuned! :)

This week we’ve started getting back into the groove after being away for so long.

After checking things out again after such a long while, we noticed a few things that needed changing or improvement, so as I (Vilya) went back to work I dove straight into that.

First up, one of the NPCs that will play a kind-of important role in the dungeon. We felt she looked too young in the first version, and needed another, even older version for a later map where some time have passed:

For the first rework I just grayed out her hair and added a hint of wrinkle at her mouth, while the second, older version has lighter gray hair and wrinkles both near her mouth and around her eyes.

Next up, we wanted the ape house to look a bit stranger than the rest of the houses, so as a first step I added a bunch of different-looking chimneys, indicating this house is a little more advanced than the rest. We also have plans for Fred to add some cool stuff to the house, such as a water wheel or something similar (plus he might animate the chimneys as well), so I think it’ll look pretty cool in the end:

I also made another prop to decorate Tai Ming’s second zone, a stack of barrels:

Since me and Teddy went to Stockholm unexpectedly and left Fred to his own devices for a bit more than a week, it was high time to get together at our favorite fast food place and make a new plan for some upcoming Tai Ming things, including the next upcoming BOSS fight!

This boss is based on the enemy seen above, a cave worm of sorts. Only it’ll be a loooot bigger!

The worm will have 3 main attacks, which are detailed in Swedish (and masterfully illustrated) in the image below:

Attack #1: The worm dives underground, leaving part of his body visible while he digs his way ahead. He’ll then surface and dive again, kind of like a dolphin, only every time he surfaces more of his body will be visible. You’ll take damage both from the worm diving onto you, but also from his spiked body if you touch it. However, you can still hit him while he does this, so if you’re careful you can get some nice damage in during this attack!

Attack #2: The worm surfaces head first, and spits a bunch of the regular enemy worms at you. These will damage you on impact, and will bounce once on the floor before they resume the regular enemy worm-pattern and become an additional obstacle on the playfield.

Attack #3: The worm uses his tail to whip you, dealing damage if you get hit!

Special: We’re not 100% sure about this yet, but hopefully it’ll be cool! So, after you’ve dealt enough damage, the worm will summon another worm to the playfield, making the challenge twice as hard! Double the boss, double the fun, right…? :)

Some people have suggested instead of adding another worm to the mix, we should split the current worm into two. I definitely like the idea myself, but we haven’t discussed the suggestion as a team yet. Would be cool to make it happen, though! :)

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Now, these recaps aren’t the same without ending with a bunch of Fred’s stuff, so here’s the guard(s) that will patrol Tai Ming, as well as an old man doing a fancy jump: