Time to move into the sacred shrine! What could be hidden in here?

The first room is planned to be a room where you’ll do some fighting and… well, not much else really! Now, we haven’t even planned on adding a flashback orb to this place, which means that technically, this room will only be viewed in the present (there will be no time rifts in this third part of Tai Ming).

Because of this, I could have chosen to jump into doing the old and ruined stuff from the beginning, and completely skipped this step of making a past version. However, because we’re known to change our minds a lot, and since it’s a lot easier to start from something whole and ruin it after, than to start with something broken and paint it whole, I decided to make this version anyway!

Below is the finished result! Again, it’s possible you won’t even get to see this in the game, so I guess you could see it as a true behind-the-scenes treat ;)

Next up, making the ruined version, which might even show up in the game!!

As usual, this is typically a matter of dulling down color and painting a bunch of cracks and holes in everything.

For this room, I also added a bunch of thrash in the corner which may serve as a spawning point for monkeys when you fight (it looks much better if they appear from behind somewhere, rather than just fade into existence)!

Since you’ll mainly be fighting in here, there’s not a lot of stuff on the floor (as usual). In the end the room will hopefully look lively enough one there’s a bunch of enemies roaming about!

From the first to the last room: time to take a look at the Shrine’s exit/meeting room…

In this room, there will be a quite important flashback orb, showing you the priests trying to deal with certain horrible things that have happened in Tai Ming since your last time jump!

They will be in meeting by this long table, discussing… Things ;) There’s also a scheduled guest appearance of an Arcade Mode character! Can you guess who?

Now, we’ve also been making some slight changes and improvements that will be added to the second zone in a later update!

First up, the crown of Zhamla! In the first version, which we decided to change a little. It’s still the same crown, but he wears it differently, in a way we thought felt ‘cooler’, basically. The old version is on the left, the new is on the right:

We also made a chewing/munching portrait for the girl who eats noodles in the inn! Honestly I’m not sure this portrait will actually appear in the game (we kind of made it for fun), but we’ll see:

Next, we added some more decorations around the entrance to Puzzle World, indicating that something is being built here. It still looked a little bare with just the sign:

Finally, just some slight extra decoration of the first Puzzle World room, in the shape of a half-installed button and a hammer:

Those of you who have tried the new Tai Ming areas on Frontline have probably noticed a bunch of sound effects missing…

And that’s because we haven’t ordered them yet! So, the other day we decided to make a big list of all the sound effects we could possibly want, by playing the areas and writing down any sound effects that seemed to be missing.

After that, we went through the list and decided whether:

A) We should request a new sound effect
B) We already have a sound effect that could fit
C) It doesn’t really need a sound effect after all

To make the list easier to read, we color coded the sound effects, as you can see here:

Red means we felt a sound effect was unnecessary, Orange means we’ll use a previously made sound, and Blue means we’ll ask for a new sound effect.

While we want to have a lot of sound effects in the game to make everything feel alive, sometimes it can get a little too much. Such as in the inn, where we at first had a ‘eating noodles’-sound, a ‘drinking’-sound, some ambience, and a ‘sighing’-sound (for Faita). Playing all of those would likely make the inn a bit too noisy, so we decided against requesting all of them.

As we continue working on the third part of Tai Ming we definitely look forward to adding these sound effects! It’s gonna make a huge difference to actually hear things as they happen, and we’re very happy to work with amazing people who help us bring the world of Grindea to life through sound effects and music! A very important aspect of gamedev that should not be forgotten :)

Finally, the second zone’s on Frontline! It only took about 4 months guys!! ;) However, if my (Vilya’s) playthrough of the area is any indication (1 hour 20 minutes), it’s a decent amount of playtime for that amount of work, at least compared to our previous areas.

I know it’s hard to believe, but our workspeed per playtime has actually increased with this dungeon, though it’s pretty huge and ends up taking a long time to finish anyway ;P

Anyway! We’d love to hear how long it takes you to play the area, if you got stuck anywhere, what you liked/disliked and, of course, any bugs you found! Please spam away, we’d love to hear everything (and feel free to link us any cool Let’s Plays of the area, as seeing how people think and try to interact is extra important in this area).

Here’s a bunch of the stuff we made for the second zone, before we released it this weekend:

First up, the final room of Puzzle World! Part of this area will be looking over the sea, with the Pillar Mountains (among other things) in the background. Because of how incredibly long it took to paint the backdrop, the video I recorded got super long, so I decided to divide it in parts:

This first part is all about the actual area your character will be able to move around in. It consists of the same type of environmental decorations as the Mount Bloom outskirts, with the addition of some rocks and details from Evergrind Fields and Tai Ming.

Second part of this scene is all about the backdrop! And what else would it contain, but your old home, the Pillar Mountains?

Painting this took a long while, much longer than I’d hoped, seeing as it’s mostly water and a few islands! But since I’m used to painting smaller props rather than distant backgrounds, it took some time to get used to the change :)

Once this was finished, we added a bunch of birds and some clouds floating in the background as well:

I mentioned before that I was gonna make standing versions of the old and worn statues. This is pretty much to make it easier on us, as we don’t want to worry about where to put which statue if two would fall on top of each other. Instead, they’ll remain upright:

One key part of the puzzle is to deal with the glass box somehow, and so I had to make a version of it that’s completely smashed as well! Some pretty fun stuff, lots of glass pieces :)

This grave has a bunch of flowers that stand out from the rest, and it’s for good reason, relating to a quest:

This room felt a little too clean, so I went back to it and added a bunch of planks and the remains of the poor old flowers. Likely nothing would remain of the plant this long since it died, but as long as it looks better this way, I’m all for it ;)

I also added a bunch of rocks surrounding a box in the water next to what we call “Granny’s house”. This is to signify that you cannot move this box (while you can move a bunch of others):

The current box also looked a bit too fresh and clean for the present version, so I made another version of the box(es) to suit the time jump better:

There’s a strange puzzle in the upper parts of this map (which isn’t completely shown in this picture), and one part to the puzzle is that you cannot move things around in the present. As such, I made a version of the puzzle block that wasn’t able to withstand the test of time, and has crumbled too much for you to be able to push it around (video game logic)!

Seeing as the alcoholic beverage hidden in this room was turned into an ale rather than a wine, the color was changed to better suit the drink in question!

While Bag has made do with the same faces for a long, long time, it was finally time to add another couple of expression! Well, in fact, we just needed the one, but due to some miscommunication I misunderstood the mood asked for, and we ended up with two instead! Maybe the other one will have some use in the future… :)

This lady isn’t too happy about her daughter being interested in the strange Flying Fortress people visiting town, so she had to get a more displeased expression as well:

We also realized we needed to block the way south in the Path Puzzle’s past state! This was done by adding a bunch of boxes:

Whatever happened to this guard’s hat?! I guess you’ll have to find out by playing through the zone! In either case, he needed a portrait without the hat, so I made one:

Due to a slight rewrite, we decided to open up the door to the Puzzle World WIP, and add a small sign letting you know that something is ahead:

Previously for the Monkey mini game we used a placeholder key, which was actually a much smaller one that was resized in Photoshop. Good thing we remembered to swap it out for this new sprite:

A line of rocks were added to show you where you cannot push certain blocks that can be found on the lower level of this zone. You can (and should) still run past the rocks yourself though:

Due to some grim times up ahead in Tai Ming, we decided it was time to increase the number of tombstones in the cemetery greatly, too… Whatever could be happening? The answer awaits you in the third zone!

Finally, two new zone titles: one for the second zone and one for the third (which I, as I write this post, have actually started working on already! Wohoo!)

…Actually, there was another portrait added, as well! :)

This is Nolea, a character that’s a homage to the main character of CrossCode:

While being based on Lea visually, this character is quite different from her CrossCode counterpart. In fact, she’s a cyborg built built by the Flying Fortress crew with multiple personality and vocabulary settings. How advanced!

She’ll be hanging out with the other Flying Fortress guys in zone02, demonstrating the newly invented Phase Shift techniques.

For Nolea, I had to make two different expressions, but as I was creating them I had a hard time picking between a couple of variations, so I ended up making 4 instead. I’m still not sure which 2 actually appears in the game, as I told Teddy decide as he implemented them, and I haven’t talked to in-game Nolea since then…

This week, we’ll likely take care of any bugs that appear through the frontline testing, as well as add another bunch of polish. I’ll also continue working on the third zone of Tai Ming, which will conclude your adventures in this mountain. How exciting!

Until next week! :)

We’re finally getting closer to getting the second zone up and running in Frontline! As such, we’ve all been very busy adding the final touches to the zone and bug testing the heck out of it all.

We have some exciting preview GIFs to show you, but first, some more expressions!

The third batch of expressions features a varied crew of characters. There’s the father of the guards, three collectors and a somewhat familiar face: that of Montbel, the famous chef and bartender of Tai Ming:

The fourth and final (for now) batch of expressions features an accessory saleswoman, Faita from zone one, who you could say has fallen on hard times – at least if you go by her expressions, a male priest, the greedy owner of Puzzle World, the visitors from Flying Fortress and the gardener from zone one, who is still tending to the gardens, only this time in zone two!

So, these last few days we got to do something awesome: we actually play tested Tai Ming’s second zone!! It’s true, after many months of working on this place, Teddy put enough together that it was possible for us to run through the entire thing!

For me (Vilya) the zone took 1 hour and 20 minutes to complete, but then I tried to talk with most people (gotta double check that dialogue) and had a slightly underleveled character. On the other hand, I knew exactly where to go and what to do, seeing as I’ve been part of designing everything. It’ll be interesting to hear how long it’ll take for you guys!

After running through the entire thing each of us took notes on things we liked and things we wanted to change, as well as any bugs we found. Luckily, we were mostly in agreement that very little needs to change – in truth we rather feel like Evergrind City needs to change, since this town is much more vibrant and alive compared to the capital… I guess we managed to overdo things as usual.

Among the things we’ve yet to add, there’s 2-3 flashback orbs, with cutscenes that haven’t been made yet. In these orbs more of Zhamlas story will be revealed. Who is this strange child/young man anyway, and how come he’s so important to the story?!

We also made a list of graphical assets for me and Fred to add. My list mainly consists of increasing the number of decorative sprites and more expressions. There’s also a ton of “minor” fixes, like making sure some of the portraits don’t go outside the dialogue box, like below:

This week will be all about last minute fixes, as we hope to be able to upload the second zone to Frontline next weekend! Not 100% sure we’ll actually make it, but that’s our aim at this moment. Here’s to hoping everything continues to go smoothly :)

See you next week – hopefully with a new patch uploaded!

Hey guys!! It’s been another week, and it’s me, Vilya, back to bring you another recap of what’s been going on in the Pixel Ferrets office!

Last week I made the past version of the final Puzzle World room – this week it’s time to transform it into its present version! Since this is the last room before you manage to get outside again, I got to add some vines again! Long time no see:

I also got to paint a lot of cracks on the huge glass thing, which also is something I love doing. Nothing is more soothing than listening to music (or an audiobook) and just painting crack after crack… Well, since we wanted what’s inside to be somewhat visible I decided not to go too crazy with it. Not sure how it’ll turn out in the end though, maybe I can add a few more before calling it a day… :)

Next up, I should start making the statues you’ll use for this room’s puzzle! First, a video showing the progress of making the past versions:

Since the progression from standing to fallen statues happen as you time travel, there’s no need for animations. As such, I was also able to make the present, crumbled ones:

To make it easier seeing where any given statue needs to go, we decided to keep their boxes on the floor (who also got slightly different dimensions since the last post) in the present, in various states of decay. The alternative would have been to have the statues fall with base and all, but we believe this makes it easier to read which statue is where on the puzzle floor.

There’s still two things I need to make for this room. First we need standing, decayed version of the statues for present times, as the statues won’t fall if they’re standing next to a statue that would block the direction it would have fallen in. This is mostly to make it easier for us – instead of having to figure out how to stack the statues on top of one another, they just won’t break as severely if it means they would have fallen on top of another statue.

I also need to make a broken version of the glass box in the lower left corner, so it’s possible to let out the statu– whatever’s in there. But, that’s for another day!

Next up, as Teddy has been working on the cutscenes in Tai Ming’s second zone I decided to go over the dialogue and start making a bunch of expressions so that can be properly finished!

First up is Tessen, the little girl from the first zone who has grown up to become a young priestess of Grindea:

She’s both happy to see you, and has some serious worries on her mind. Wonder what those are about..

Next up, Zhamla:

Since his adoptive father’s speech about being strong, Zhamlas life has taken quite a serious turn, and unfortunately there’s not a lot of room for positive emotions in his life nowadays.

Speaking of adoptive fathers, Zisou’s life has actually become a bit more lax these days, so he can afford a smile or two – but there’s still room for some quite serious expressions in there as well:

The second batch of expressions features four different characters:

First, the dam manager, who has quite a bunch of expressions, as you can see! He has both a serious(ly annoyed) and goofy side, and quite a peculiar quest to bring these expressions out!

The ancient Quest Master, Quinton’s ancestor(?), has a few more expressions than his present day counterpart. He has added both surprise and happiness to his range of emotions!

Mana, the lady with the dog in the first zone, has become older and grayer, but is still quite the happy person, while young mister Go, still is quite miserable in his adult form. He was the kid who lost the key in the first zone, remember? Poor Verment, he has had quite the tough life!

Finally, some Caveling animations from Fred! What are they up to in Tai Ming?!

Hello guys! It’s been another week, and now I (Vilya) am back with another recap of the big things we’ve been working on :D

This week, the work on Puzzle World continues! Next step is to transform the Statue Room into it’s sorry present state. Since this will be the first room to be turned into a present version, it’s extra important to get everything right since a bunch of the props, such as the planks, will be reused in upcoming rooms.

Here’s a GIF showing the process:

As usual with transforming rooms or environments from past (fresh & new) to present (old and worn), most of it is changing colors. But just turning a bright yellow into a dull brown won’t cut it in many cases, such as the door: as wood grows old, it will get worn down and cracks may appear. Therefore I added more lines in the wood, as well as holes here and there, where I imagine the wood has been broken over time:

Next room is a little different! It’s been sponsored by the Flying Fortress crew, and so it has been decorated to look like a room in Flying Fortress – only with wallpapers and a fake floor… :)

When creating this room, I had two options. Either I use the already-made texture of the Flying Fortress walls & floor, or I make a new one. It’s likely people wouldn’t be able to tell the difference, since it was so long since you went through the Flying Fortress in the main story – but I still opted to make new graphics.

I did this for two reasons: one, it gave me the opportunity to make the texture look even more like a wallpaper texture – instead of looking exactly like it does in Flying Fortress (which is built of what’s at least supposed to be real rocks), I could make a softer texture which would be easier to pass off as wallpaper. Second, the Flying Fortress graphics are very old at this point, and I worried that adding such an old texture among all the new stuff would look jarring – I’ve developed a lot as an artist since that time, so the difference in quality and style is quite big.

The smaller screen to the right will hold a message about the room being sponsored by the Flying Fortress – the big one to the right will either have something cool animated by Fred, or a graphic representation of the flying Fortress made by me. Or maybe a graphic representation of the Flying Fortress made by Fred or something cool (non-animated) made by me – who knows! :)

Since this room is already quite gloomy to begin with, it was a bit of a challenge to darken and dull the colors down without everything becoming too dark for the present version. Instead of going too crazy with the darkening effects, I decided to ruin more of the wallpaper around the areas where you’ll run around, having the real wall show through:

After finishing the past version, I added a pair of boxes that block the exit to the right. In this version however, the boxes are moved (since you enter the room in this timeline) and instead block your path to the top part of the room. To get there, you’ll need to complete the phase shift puzzle!

And yes, for those who noticed the difference between the Past and Present version: we decided to change the design of the left platform a little, as the previous version was a little hard to read for some people. The previous version is to the left, the new version to the right:

Next, after Fred finished adding some NPCs to the inn (left), I took over and added some props that I thought would suit them:

The girl on the right is a bit underage, so instead of drinking she’s having a meal while studying hard to become a Collector like her sister (which will also be added to the table later on). Faita, the sword teacher from the first zone, is kind of drowning her disbelief at being second best at everything with a glass of unnamed alcohol (or is it soda?) ;)

Meanwhile, instead of cleaning up the bar, Montbel the owner (who isn’t present in the picture) has left all kinds of bottles and bowls on it for visual effect. ‘Aint he nice?

Speaking of NPCs, Fred has kept working on adding more of them to Tai Ming’s second zone, so here’s another bunch:

Finally, let’s end the week with a portrait! I actually forgot I still had two more to make for the second Tai Ming zone. Guess I got a little bit too excited about starting to make backgrounds for Puzzle World!

This guy is a hat salesman, having his shop set up outside the ancient Collector’s HQ. Like the hat salesman in Evergrind City, he has a kind of elegance to him! I guess it comes with the job, huh?

This week, we’ve finished up the final interior of Tai Ming’s second zone: the monkey lab! Here is the past version:

Before designing this place, I (Vilya) had a talk with Fred and Teddy about what level of technology we wanted this place to have. We had plenty of options: we could either go full Flying Fortress style with lasers and very high technology, or we could go more primitive and ancient-oriented.

Since we wanted this area to feel quite modern for Tai Ming (making it stand out and all), we decided to keep it kind of high-tech, but not Flying Fortress laser-level. So there’s steel bars, lots of documentation, some glass vials and strange potions, some which will be animated and added later on by Fred!

After completing the above version, we decided to have one big cage rather than two small, with two monkeys in it. We also added some cracks to illustrate where a hole will be in the present, as well:

For the Present version, the walls & floor need to become more dull & dark, the glass windows have broken, papers have been shredded… and the poor monkeys who were stuck in the cage have died (unless… you decide to let them out) :(

Aside from these interiors, we also added a bunch of smaller stuff: changing the brown chests into purple ones on the banners in the past, to reflect the fact that the chests in Tai Ming will, in fact, be purple:

We also wanted to Tai Ming-ify the doors inside the ancient Collector’s HQ a bit, so I added some fancy door frame decorations to them:

Just for fun and some flavor, an optional chest has appeared in Tai Ming’s present state, as well! But however will you be able to reach it with all the rocks blocking the way?

There’s a couple of new characters, as well! This ancient version of Quinton (an ancestor, perhaps?) is the Quest Master of Tai Ming’s Collector’s HQ. He’ll give you one or two quests you need to complete in the town before you can proceed into the next zone:

Those of you who paid attention to the text screens in the Phase Puzzle course in Mount Bloom should be familiar with Tonee, who wrote about the course in some detail!

Well, here she is, visiting Tai Ming with her engineer friend from last week:

What they’re doing there? Showing off the latest Phase Shifting technology of course! These things don’t fund themselves, you know ;)

Finally, here’s another giant Thorn-Worm, the ULTIMATE version, made & animated by Fred:

How much worse can that fight get, really?! Whew…

Next week, I’ll finish up the graphics for Tai Ming’s second zone, while Fred works on some much needed NPC sprites for the area! Next after that, Puzzle World, the short mini puzzle-dungeon “hidden” in the north of the zone. Stay tuned! :)

After getting back from some days off, it’s only natural that you (or your team) have thought about a bunch of small improvements that could be made! So, after getting back last week, Vilya got straight back into fixing a bunch of things in Tai Ming’s second zone!

First, as we implemented more and more of the Tai Ming 2nd zone backgrounds, we came to realize we wanted to change some things around. One of those things were the placement of the cave entrance seen below:

Since this cave will be a puzzle cave, we thought it’d be a little bit funny if it was next to the graveyard, in order to illustrate how poor the owner’s business choices are. But we found it got a little bit too crowded, so we decided to move the entrance further to the right, and add a small fence to illustrate the end of the graveyard.

In the present, the puzzle cave has closed since many years, and instead the path to it has been filled with new tombstones:

Another thing we wanted to change was the windows of the monkey lab. Since this building is where a lot of scientific experiments take place, we want to highlight that this building is different from the rest, and in a way, more modern. We already have the more industrialized chimneys, but we also decided to add glass windows rather than the hollow ones from before:

And in the present, as time has passed and worn things down, the glass windows have broken and fallen apart:

Next up is of course finishing the remaining backgrounds needed for the area, including the ancient Collector’s HQ! When designing this place, we wanted it to resemble the Collector’s HQ in Evergrind City, only smaller since it doesn’t make sense for it to be as big as that one gameplay wise (you won’t really do anything in here except fetch a quest or two). So let’s take a look at what the Evergrind City HQ looks like:

And now, the ancient HQ:

We’re considering editing the doors a bit so they’ll fit in better with the Tai Ming theme. Also, there will be guards placed outside the doors like in Evergrind City, so you won’t be able to enter (though I guess it’s kind of rare to be able to walk through closed doors in this game anyway). The doors are only there to make the place seem bigger than it is, really!

As for characters in this area, there’s just a tiny amount of portraits left now! Of course, they will all need a bunch of expressions, but there won’t be too many all-new characters! This guy is the engineer that helped design the phase shift puzzle elements that are used in the course in Mt: Bloom:

We know gave a lot of people a headache (at least the more difficult, optional stage), so perhaps this is the guy you should blame? :)

Next, this fellow here is the key to a very old mystery: why do the guards in Tai Ming all look alike? The answer is simple – they’re all brothers! And their father is non other than this scientist, who currently works in the monkey lab:

When making this portrait we used the guard portrait as a base and recolored and repainted where needed, to make them look similar enough to be related.

Now, whether there’s a similar explanation to why the guards in Evergrind City look the same as well remains to be seen… :)

Finally, a little sneak peek of our next prototyping business: another ‘puzzle’ in the puzzle cave. Only it’s not a puzzle: instead you’re in the present, and the key you need keeps getting snatched away by monkeys:

How annoying, right?! Well, don’t worry! You’ll get the key eventually. At least, once we’ve finished the puzzle cave and all it’s background, which will be what we’ll jump into once we’ve finished up the second zone properly. See you next week! :)

Last week I vaguely mentioned that we’ve been doing some puzzle prototyping! In fact, we’ve done quite a lot of it, and here’s the first sneak peek of our in-house testing of two of the puzzles in the upcoming puzzle cave you’ll have to make your way through!

The first one is the phase shift challenge, where you’ll phase through time to reach your goal. For this puzzle, you have to move mirror blocks around both in the past and the present! When we make the correct graphics for this, we’ll have to make some kind of indicator for where the time rift is on the puzzle (currently simple blue u-shapes in this sketch version):

This is actually already the second iteration of this phase puzzle. The first one turned out to be more complicated than we first thought, even though the solution itself really wasn’t. The problem was that going back and forth in time really confused our brains (and, I admit, mine was the worst – I just panicked trying to figure out what to do, without finding a solution at all – ha)! So, we had to make the puzzle a bit easier. I guess we’ll save the mind-warping ones for an optional puzzle somewhere :)

Next up – the statue puzzle. Here you have to push some statues around, trying to figure our which one to move where. The only way of doing this is to cross check between the past and the present: where do I need to move statue x in order for it to hit button y as it falls? There’s also a hole that needs filling, and a cage of some sort holding a statue that needs to be released (currently illustrated by a barrel, hehe):

I’m currently very positive about these puzzles – they make you think a little, but they’re not too hard to solve once you know what to do! Definitely looking forward to completing this puzzle cave and give it some proper artwork :)

Speaking of prototyping, Teddy has been hard at work creating the water transitions in Tai Ming’s second map! To celebrate his success, he made a guest post about it on my blog, but I’ll post it here as well:

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In game development, sometimes you encounter things that are so annoying to implement that you need to vent on someone else’s blog. This is one of those times.

Task: make a short transition between low water and high water, to be played when you close or open the dam in Tai Ming. Easy enough, right? Well, yes, but sometimes it’s the easy things that end up melting your mind!

Here are the assets involved (excluding the background) in creating the transition above:

The stuff in the pink square (top left) are overlays needed to preserve the illusion of depth. These had to be placed at heights intertwined with the stuff in the light blue square (bottom left), to make sure the right mass of water is behind and in front the right rock piece. Oh, and the rock pieces had to be cut out of the background with pixel perfect precision! The piece of grass was needed to hide the edge of the water on the left side.

In the dark blue section (top middle) are all the waterfall animations that Fred had to make! Each of them was a small puzzle of their own. The top four sprite sheets were pieces that can be used to create waterfalls of any height, needed for when the waterfall rises. This custom made waterfall must appear and disappear the correct way to fit with the “appear” and “disappear” animations. Note on the bottom spritesheet how the foam does not despawn until frame 5, meaning it must keep playing until then!

In the green square (middle bottom) you find Fred’s favorite pastime: animated water edges. These appear when the water has reached the top, hiding seams and creating some nice motion. Due to the uneven edges of the rock walls, however, these things don’t look proper at all while the water is moving! Something else was needed to hide the water’s edge during this period.

To this end, Fred made ten tiny particles, to be placed along the water’s edges! These are found in the red square (upper right). I had to be careful that these particles didn’t behave nonsensically, for example making sure that the water drops always flew away from the walls, to avoid water ripples on the vertical parts of the background.

After a few decades of fine tuning positions, timings, particle abundance and fading, we finally arrived at the point you see in the gif. I should’ve never quit law school!

Note: In reality, Teddy loves even the dreary parts of his job, and is quite happy he quit law school!

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Next on our interior list, we have the government/administration building (we just keep calling it random things), where your goal is to get a citizenship-emblem in order to progress the story. Since you’re not from Tai Ming, and have only spent a very short while in this town, this might prove harder to get than you’d first hope.

After all, with a several year long wait list to even visit the city, getting citizenship here must be quite hard indeed. But I guess, if you could find another way into the building, there’s a chance you might accidentally happen upon one of those citizenship emblems, and nobody would blame you for keeping it, right?

And finally, there’s this new character – another collector! Since Tai Ming has a Collector’s HQ, it’s only logical that there are a few collectors running around doing collector-y stuff:

Where exactly this guy will appear and what he’ll do hasn’t been decided yet, but it’s likely he’ll be near the Collector’s HQ in map 2 :)

This week we’ve continued working on the interior of Tai Ming’s second zone. Vilya started with the Inn, making a Past and Present version of its first floor:

This past version of the floor will in time be filled with NPCs relaxing after a long day’s work, enjoying food and/or a drink! The present version, meanwhile..

…will house a fight! Which is the reason why we’ve removed some of the furniture, and made the tables lie on the floor (it’s usually better having less stuff blocking your way when you’re busy fighting).

We’ve also added another character, a scientist assistant whom you’ll meet in the Monkey lab:

Plus, some fixes here and there across the map:

Last but not least, Teddy and Fred have continued working on the worm boss, which is nearing a completed state gameplay-wise! Most of the graphics are still WIP, but here’s a taste of what our current inhouse prototype of this boss looks like:

And to end this post, here’s a few complimentary animations of the above boss, made by Fred:

 

Hello guys! Another week has passed, and work with Tai Ming’s second zone continues :)

Vilya finished up the present version of the outdoors, with the exception of a few details and the area surrounding the Collector’s HQ – we might need to tweak the size of that part, so it’s paused until we’ve done some testing.

Since the interior of these buildings haven’t been finished yet, it’s possible (or even likely) we’ll add or change things around once we know exactly how they look. We also plan on ruining the chimneys of the monkey lab in some way, but haven’t gotten around to that just yet!

Meanwhile, Teddy and Fred have been hard at work prototyping the next boss fight, featuring the giant Thorn-Worm:

We just added a super early prototype of one of its attacks today for inhouse testing, so I’ll go back to doing that as soon as I’ve finished writing this blog post!

There’s also a couple of new characters on the block:

..aaand, we’ve finally decided what to do with that locked cave in the top left corner (seen in the graveyard GIF)!

Basically, the cave has turned into a series of puzzle challenges of various types. Some involve time travelling, others don’t – but the idea is that “hidden” inside the cave is a WIP ‘Puzzle World’, a place where the people of Tai Ming were supposed to be able to go to challenge themselves with some puzzles (after paying a hefty entry fee).

(Putting this area next to the graveyard might not have been the best marketing decision, of course.. Not the best place for something resembling a puzzle-themed amusement park!)

There will be five different rooms, plus an entry room where you’ll be introduced to the theme park WIP and its owner!

Room #1: Ancient Statue (enemy) Puzzle
Here you’ll have to use the statue enemies in a creative way to solve a puzzle with several buttons!

Room #2: A Key + Monkeys
Here you need a key to get to the next room. Only problem is, there are a bunch of monkeys also wanting the key, and they won’t let you have it! You’ll have to kill the right monkey before he throws the key to one of his friends.

Room #3: Path Puzzle
In this puzzle there will be statues (or other things), which you can move around in the past, that will fall in different direction in the present. With this knowledge, you have to push the right statue to the right place in order to fill a series of holes in your path to the next room!

Room #4: Combat Room
The puzzle here has long since stopped working, and instead you’ll have to battle a series of enemies.

Room #5: Phase Shifting
A puzzle room originally sponsored by the crew at the Flying Fortress, now it’s an advanced phase shifting puzzle where you have to shift through time!

As always, typically of Pixel Ferrets, we’ve probably overdone this a bit – turning our vague encounter & 1-2 puzzle cave into a ancient half completed theme park-ish thing! However, there aren’t that many rooms, and the mechanics will hopefully be kind of straight forward (here’s to hoping)! :)